Signature to Protect Freedom of Speech for Japanese people from the Court Ruling of the "Twitter Case" at Tokyo High Court

  • 2022.11.08 Tuesday
  • 19:31

Signature to Protect Freedom of Speech for Japanese people from the Court Ruling of the "Twitter Case" at Tokyo High Court

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Attention to : Mr. SAITO Ken Minister of Justice

Attention to : Mr. TOKURA Saburou-Chief Justice of the Supreme Court

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¡¡¡¡¡¡Ms. Shiori Ito, who had accused a journalist of sexual assault while intoxicated, sued Mio Sugita, a Congresswoman of the LDP, for violating her honorary feeling by Sugita’s action of merely pressing “like” in Twitter comments written by another person slanderous comments against Ito. On Oct. 21st of this year, the Tokyo High Court overturned judgment ruling in Sugita’s favor of the first trial and handed down a second ruling ordering Sugita to pay 550,000yen as compensation for damage. 

 

 ¡¡¡¡¡¡The issue of this trial is whether the action of pressing “like” on Twitter, a typical network for social media, can be considered as a violation of honorary feeling. At the first trial, the Tokyo District Court dismissed the case concluding the action of pressing “like” cannot specify the object or extent of one’s feelings, or it does not necessarily indicate one’s favorable feeling or agreement toward the contents of posts, and it cannot be considered an illegal action which goes beyond socially permissible limits.

 

¡¡¡¡¡¡However, the Tokyo High Court (Hiroshi Ishii, Chief Judge) accepted Ito’s suit concluding that the “action of pressing like against a slanderous tweet is considered as expressing one’s favorable and agreeable feeling toward the contents of posts, which slander Ito.” Therefore, “considering the fact that Congresswoman Sugita has repeatedly criticized and ridiculed Ito, her action of pressing like can be considered as her agreement for slanderous comments against Ito and thus, violation of honorable feeling.”

 

¡¡¡¡¡¡Many people press “like,” a function of Twitter, not only because of agreement, but also of bookmarking, for reminder purpose or proof for being already read. If one can be sued for “violation of honorably feeling” simply by simply pressing “like,” it is not a small matter even for regular users.  Furthermore, one never knows whether someone pressed “like” on Twitter’s comments unless the person purposely checks the comments constantly. Did Ito constantly check Sugita’s history of “like” and claimed that her feeling was injured?  Further, the fact that Ito sued Sugita, not the person who made the comments, makes us wonder if there is a political intention behind Ito’s claim.

 

¡¡¡¡¡¡Although Facebook has many choices for “expressing feeling” such as “like” “love” “care” “laugh” “wow” “sad” “angry,” Twitter only has one choice of “like” for users’ reaction.  Thus, “like” is simply a reaction, not the expression of agreement or denial. Just because someone pressed “like,” there is no way of knowing what the true feeling is beside the user herself/himself. The users’ true feeling is not something the court can decide.

 

¡¡¡¡¡¡This ruling of the Tokyo High Court is the ruling to restrict freedom of speech and expression for people. It also restricts the accessibility of Twitter for ordinary users. Further, it is the distortion of the use of Twitter by a Japanese court.

 

¡¡¡¡¡¡Thus, the freedom of speech of Japanese people should not be restricted by the court or judges, who may or may not be familiar with the use of SNS. Doing so is a clear violation of article 21 of the Japanese Constitution, which states “Freedom of assembly and association as well as speech, press and all other forms of expression are guaranteed.”

 

¡¡¡¡¡¡However, despite the importance and superiority of the concept of freedom of speech, it is violated by public authority in Japan and the judicial is not doing anything about it. If the freedom of speech is violated by national authority and nothing will be done, free and democratic society can collapse.  Thus, regarding the case of “like” in Twitter, we who put our signature here request that the Ministry of Law and the Supreme Court support the decision of the first trial and revoke the decision of the High Court.


Japanese National Movement to Protect Freedom of Expression from Japanese Courts

 

¡¡¡¡¡¡Those who agree with our statement above about the unjust ruling, please cooperate with our effort to collect signatures to “protect freedom of speech for Japanese people from the court.”

 

 Please download the signature paper here and sign your name.

 

 Your signature is strictly controlled according to the Act of the Protection of Personal Information and cannot be used for any other purpose.  Please help us to protect freedom of speech and expression for Japanese people.

 

 Thank you very much.

¡¡

 

The signature paper should be mailed to the address below:

3478-1 Sayada Kumagaya Saitama 360-0023 JAPAN
Attention: Mr. FUJIKI Shunichi – Secretary

 

¡¡¡¡¡¡The Japanese National Movement to Protect Freedom of Expression from Courts in Japan is also looking for supporting organizations. If you are interested in supporting us, please send an e-mail to our secretariat.

¡¡

 

Supporting Organizations (Supporting Organizations wanted)

 

¡ü Association for the Honoring and Memorializing the Souls of Heroes

¡ü Rita-Rita Yukoukai

¡ü Association for Trial Visualization and Disclosure

¡ü Institute for Policy Planning and Research "Project Olive

¡ü Nadesiko Action – Japanese Women for Justice and Peace

¡ü International Career Support Association

¡ü Society for the Dissemination of Historical Fact

¡ü Rompa Project

¡ü Texas Daddy Japan Secretariat

¡¡

 

 

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  • 2022.10.21 Friday
  • 21:35

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  • 04:42

 

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Press conference to demand stop publicizing toxic so-called documentary film "Shusenjo" related to the comfort women issue. 


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Joint statement to stop the film "Shusenjo"



We held a press conference at Japan Press Club in Tokyo on 30th of May 2019 to demand stop publicize the film "Shusenjo."
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In the beginning, Professor Fujioka read the joint statement then I and Yumiko Yamamoto followed to explain what the problem is and which parts are violating our agreement and Japanese law.
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House of Representatives Mio Sugita has not signed the agreements we issued at the press conference because she, as a public servant, has no Portrait Rights protected.
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I received a phone call reporting me that the person in charge of the distributor for this film called "ToFoo" was watching our press-conference. After or during the conference, Mr. Dezaki posted a short video clip to express his excuses and justifications which is irrelevant to the issue we pointed out. Also, he omitted the core issues we talked at the conference.
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Red Letters are what Mr. Dezaki is talking in the short clip which he released during or after our press conference.
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After or during watching our press conference on 30th of May, talking about the film "Shusenjo," Mikine Dezaki posted a video on YouTube channel of "Shusenjo" to justify his outlaw activities. He cowardly disabled the comment section of his video. Why does he need to fear the opposition? If he is the one fearing opposition, he should not be involved in the issue.

 

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While he enjoys freedom of expression, he suppresses other people's freedom. This is how this coward always behaves.


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Dezaki: "They said all of these things in the film of their volition" 
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The issue is not whether the things we talked about in the film is from our volition or not but whether the talks are properly used along with the context or intentionally misused.

 

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Dezaki: "If the film is good enough, It had the possibility (of) being shown at the film festivals or publicly released"

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We have no problem that Mr. Dezaki entry the film festivals or publicize the film. However the issue is, he did not keep his words. Also, none of us have heard that the film is used for commercial purpose. If it is going to be used for commercial, none of us would agree at the beginning. At least, myself, Mr. Kent Gilbert and Prof. Fujioka have agree with this opinion.


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Mr. Kent Gilbert and Ms. Yoshiko Sakurai are well-known celebrities in Japan.  If the distributor wants them to be a face of the film, or ask for the advertisement of the film, the contract fee would be tens of millions of Yen, possibly be over hundred million Yen if put together.

 

¤Þ¤¿¡¢¥±¥ó¥È»á¤äݯ°æ¤è¤·¤³»á¤Ï¡¢ÆüËܤǤâͭ̾¤Ê¥»¥ì¥Ö¥ê¥Æ¥£¤Ç¤¢¤ê¡¢¤³¤ÎÍͤÊÊý¡¹¤ò¡Ö¾¦¶ÈÍøÍѤ¹¤ë±Ç²è¡×¤ÎÀëÅÁ¤Ë¡Ö̵ÎÁ¡×¤Ç»È¤¨¤ë¤È¹Í¤¨¤ëÊý¤¬¾ï¼±¤ò°ï椷¤Æ¤¤¤ë¡£¤â¤·¡¢ÈࡦÈà½÷¤é¤Ë¾¤Î±Ç²è¤ÎÀëÅÁ¤ä¡¢¤½¤Î¤¿¤á¤Î²èÁü¤ò»È¤¦·ÀÌó¤ò¤¹¤ì¤Ð¡¢¿ôÉ´Ëü±ß¡Á¿ôÀéËü±ß¡¢2¿Í¹ç¤ï¤»¤ì¤Ð²¯¤Î·ÀÌóÎÁ¤Ë¤Ê¤ë²ÄǽÀ­¤â¤¢¤ëÌõ¤À¡£¤½¤ì¤Ï¡¢ñÙ¤·¤Æ¡Ö¥¿¥À¡×¤Ë¤·¤è¤¦¤È»î¤ß¤¿¤Î¤¬¤³¤Î½Ðºê´ÆÆĤǤ¢¤ë¡£¤³¤ì¤¬¡¢¤â¤¦°ì¤Ä¤ÎÌäÂê¤Ç¤¢¤ë¡£

 

No one from our group heard it would be for commercial use. "Show at the film festival" or "publicly released" does not mean it is commercial use.

 

²æ¡¹Â¦¤Î½Ð±é¼Ô¤Îï¤â¡Ö¾¦¶ÈÍøÍѤ¹¤ë¡×¤È¤Ïʹ¤¤¤Æ¤¤¤Ê¤¤¡£¡Ö±Ç²èº×¡×¤ä¡Ö¸ø³«¡×¤È¤Ï¸À¤Ã¤Æ¤¤¤ë¤¬¡¢¡Ö¾¦¶È¥Ù¡¼¥¹¡×¤È¤Ïʹ¤¤¤Æ¤¤¤Ê¤¤¡£YouTube¤Ë¸ø³«¤¹¤ë¤Î¤â¡Ö¸ø³«¡×¤Ç¤¢¤ë¡£
 

 

Dezaki:  "….and isn't out of ordinary for a graduate project or thesis to be published commercially as an academic journal or a book."


½Ðºê´ÆÆÄ¡§Âç³ØÀ¸±¡À¸¤Î¥×¥í¥¸¥§¥¯¥È¤äÏÀʸ¤¬³Ø½Ñ»¨»ï¤Ë·ÇºÜ¤µ¤ì¤¿¤ê½ñÀҤˤʤ뤳¤È·è¤·¤Æ°ÛÎã¤Î¤³¤È¤Ç¤Ï¤¢¤ê¤Þ¤»¤ó¡×←¡Ê½Ðºê´ÆÆĤÎÆ°²è¤ÎËÝÌõÄ̤ê¡Ë

 

Again Dezaki is shifting the core narratives to the unrelated issue, trying to escape from his responsibility as a fully grown man.

 

¤Þ¤¿¤â¡¢½Ðºê´ÆÆĤϵÄÏÀ¤ÎÃæ¿´¤ò°ï¤é¤·¡¢´Ø·¸Ìµ¤¤»ö¤òÆͤùþ¤ó¤Ç¡¢Âç¿Í¤È¤·¤Æ¤ÎÀÕǤ¤«¤éƨ¤ì¤è¤¦¤È¤·¤Æ¤¤¤ë¡£
 

 

Dezaki: ”If the film is good enough I may present it at the film festivals or public showings"

½Ðºê´ÆÆÄ¡§¡Ö½ÐÍ褬Îɤ±¤ì¤Ð¡¢¤â¤Ã¤È¿¤¯¤Î¿Í¤Ë¸«¤Æ¤â¤é¤¦¤¿¤á¡¢±Ç²èº×¤ä°ìÈ̸ø³«¤â¹Í¤¨¤Æ¤¤¤Þ¤¹¡×←¡Ê½Ðºê´ÆÆĤÎËÝÌõ¤½¤Î¤Þ¤Þ¡Ë

 

Once again, there is no word "commercial use" anywhere on any of the related documents.  The connotation of the word "publicize" does not include to "publicize upon charge." If it is literally "want to be viewed by more people," he will get more viewers if he posts it on YouTube and without a fee. What he is saying totally contradicts what he is explained in this video.

 

¤Þ¤¿¤â¡¢¤É¤³¤Ë¤â¡Ö¾¦¶ÈÍøÍѤ¹¤ë¡×¤È¤Ï°ìÀÚ½ñ¤«¤ì¤Æ¤¤¤Ê¤¤¡£YoTube¤Ë¸ø³«¤¹¤ë¤Î¤â¡¢¥Ë¥³¥Ë¥³Æ°²è¤Ë¸ø³«¤¹¤ë¤Î¤â¡Ö¸ø³«¡×¤Ç¤¢¤ë¡£ÎÁ¶â¤ò¼è¤Ã¤Æ¡Ö¸ø³«¤¹¤ë¡×¤È¤Ï¡¢½ñ¤¤¤Æ¤¤¤Ê¤¤¡£¡Ö¿¤¯¤Î¿Í¤Ë¸«¤ÆÌ㤦¤¿¤á¡×¤Ç¤¢¤ì¤Ð¡¢ÌµÎÁ¤Ç¸ø³«¤¹¤ëÊý¤¬´ó¤ê¿¤¯¤Î¿Í¤Ë¸«¤Æ¤â¤é¤¨¤ë»ö¤ÏÌÀ¤é¤«¤Ç¤¢¤ë¡£´°Á´¤Ë½Ðºê´ÆÆĤÎëÌÊÛ¤¤¤¬¤¤¤Î²¿¤â¤Î¤Ç¤â¤Ê¤¤¡£
 

 

Dezaki: "Every person I interviewed signed a film release form that mentioned public release in its stipulations.

½Ðºê´ÆÆÄ¡§¡ÖÁ´¤Æ¤Î¼èºàÂоݼԤ¬¤³¤Î±Ç²è¤Î½Ð±é¾µÂú½ñ¡Ê¹ç°Õ½ñ¡Ë¤Ë¥µ¥¤¥ó¤·¤Æ¤¤¤Þ¤¹¡£¸ø³«¤Ë´Ø¤¹¤ëµ¬Äê¤â¤¢¤ê¤Þ¤¹¡×

 

Again and again, there is no word that the film will be used¡¡"for commercial purpose."


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Dezaki: "Prior to showing the film at the Busan International¡¡film festival in October of 2018, I sent every interviewee an email letting¡¡them know that the film would be premiering there"

½Ðºê´ÆÆÄ¡§¡Ö2018ǯ10·î¤Î³ø»³±Ç²èº×¤ËÀèΩ¤Á»ä¤ÏÁ´°÷¤Ë±Ç²è¤¬¾å±Ç¤µ¤ì¤ë¤³¤È¤ò¥á¡¼¥ë¤·¤Þ¤·¤¿¡×←¡Ê½Ðºê´ÆÆĤÎËÝÌõ¤Î¤Þ¤Þ¡Ë

 

Dezaki promised us to show finished documentary before presenting it to the public, and if I think he mispresented me or took my words out of context, he mentioned that he would be willing to put a message at the end of the film expressing my dissatisfaction.

 

½Ðºê»á¤Ï¥Õ¥£¥ë¥à¤Î¸ø³«Á°¤Ë´°À®¤·¤¿¤â¤Î¤ò»ä¤Ë¸«¤»¤ë¤È¤ÎÌó«¤ò¤·¤Æ¤¤¤Þ¤·¤¿¡£¤½¤·¤Æ¡¢¤½¤ì¤¬»ä¤Î°Õ¿Þ¤È°ã¤¦»È¤ï¤ìÊý¤ò¤·¤Æ¤¤¤¿¾ì¹ç¤Ï¡¢¤½¤Î»ä¤¬¤½¤ì¤ËÂФ·¤ÆÉÔËþ¤Ç¤¢¤ë»ö¤ò¥Õ¥£¥ë¥à¤Î¥¯¥ì¥¸¥Ã¥È¤Ë´î¤ó¤ÇÄɲ乤ë¤È¤·¤Æ¤¤¤¿¡£

 

However, the finished documentary was not shown to any of us and all of sudden we received an email stating that the film would be publicized at the Busan film festival which obviously braking one of the condition stipulated in the "Agreement" but not "Film release form" which he mentioned in this selfish justification.

 

¤·¤«¤·¡¢¸ø³«Á°¤Ë¤Ï²æ¡¹¤Îï¤Ë¤â´°À®¤·¤¿¥Õ¥£¥ë¥à¤ò¸«¤»¤ë¤³¤È¤Ï¤Ê¤«¤Ã¤¿¡£¤½¤·¤Æ¡¢ÆÍÁ³¡¢¥á¡¼¥ë¤Ç³ø»³±Ç²èº×¤Ç¸ø³«¤¹¤ë¤È¤¤¤¦¥á¡¼¥ë¤¬Á÷¤é¤ì¤Æ¤­¤¿¤¬¡¢¤³¤ì¤ÏÌÀ³Î¤Ë¡Ö¹ç°Õ°ãÈ¿¡×¤Ç¤¢¤ë¡£¼«¸ÊÃ濴Ū¤Ê¸À¤¤Ìõ¤Ë²á¤®¤Ê¤¤¡£

 

Whatever excuse he makes, the issue is, he is nothing but a liar, he broke a promise.

 

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Dezaki¡§ "I got this nice email from Mr, Fujiki saying; Thank you for your update about your film and Congratulations"
½Ðºê´ÆÆÄ¡§ Æ£Ìڻᤫ¤éÂçÊÑ´ò¤·¤¤¥á¡¼¥ë¤ò¼õ¤±¼è¤ê¤Þ¤·¤¿¡£¡Ö±Ç²è¤Ë´Ø¤¹¤ëºÇ¿·¾ðÊó¤ò¤¢¤ê¤¬¤È¤¦¡£¤½¤·¤Æ¡¢¤ª¤á¤Ç¤È¤¦¡×¤È¤¤¤¦ÆâÍƤǤ¢¤ë¡£


This is a courtesy as an adult because a University student set an objective and archived it, it is quite normal to say "Congratulations" if the person is a civilized adult. So I sent an email to congratulate him for his achievement. However, even at this point, he did not show us the completed film. So I wrote ”Congratulations" without seeing his film just as a courtesy.

 

¤³¤ì¤Ï¡¢Ê¸²½ÅªÂç¿Í¤ÎÎéµ·¤È¤·¤ÆÂç³ØÀ¸¤¬ÌÜɸ¤òÀßÄꤷ¡¢¤½¤ì¤ò´°À®¤·¤¿¤Î¤Ç¤¢¤ë¤«¤é¡Ö¤ª¤á¤Ç¤È¤¦¡×¤È¸À¤¦¤Î¤ÏÅöÁ³¤Î¤³¤È¤Ç¤¢¤ë¡£¤³¤¦¸À¤¦Íýͳ¤Ç¡¢¤³¤Î»þÅÀ¤Ç¤â¡Ö¸ø³«Á°¤Ë¸«¤»¤ë¡×¤È¤¤¤¦Ìó«¤ò¼é¤Ã¤Æ¤¤¤Ê¤¤Ãʳ¬¤Ç¤Ï¤¢¤Ã¤¿¤¬¡¢¤½¤Î´°À®¤µ¤»¤¿¤³¤È¤Ë´Ø¤·¤Æ¤Î¡Ö¤ª¤á¤Ç¤È¤¦¡×¤Ç¤¢¤ë¡£

 

I spoke with Mr. Kent and Prof. Fujioka about this part of his excuse who also sent a similar email to Mr. Dezaki, all of them said the same reason why I congratulate him.

 

¥±¥ó¥È»á¡¢Æ£²¬¶µ¼ø¤È»ä¤Ï¤³¤ÎÈà¤Î¸À¤¤Ìõ¤Ë´Ø¤¹¤ë·ï¤ÇÏäò¤·¤¿¤¬¡¢ÈàÅù¤âƱÍͤδ°À®¤ËÂФ·¤Æ¡Ö¤ª¤á¤Ç¤È¤¦¡×¤È¤¤¤¦¥á¡¼¥ë¤Ï¡ÖÂç¿Í¤ÎÎéµ·¤È¤·¤ÆÁ÷¤Ã¤¿¡×¡ÖÅöÁ³¤Î¤³¤È¤Ç¤¢¤ë¡×¤È¤¤¤¦¸«²ò¤Ç¤¢¤Ã¤¿¡£¥±¥ó¥È»á¤Î¥á¡¼¥ë¤Ë´Ø¤·¤Æ¤Ï¾Ò²ð¤·¤Æ¤¤¤ë¤¬¡¢Æ£²¬¶µ¼ø¤«¤é¤Î¥á¡¼¥ë¤Ï¾Ò²ð¤·¤Æ¤¤¤Ê¤¤¤è¤¦¤Ç¤¢¤ë¡£¤Þ¤¿¤â¡¢¡Ö¸ø³«¡×¤Ï¡¢ÎÁ¶â¤ò¼è¤ë¤³¤È¤Ç¤Ï¤Ê¤¤¤³¤È¤òÉÕ¸À¤¹¤ë¡£
 

 

Dezaki¡§ "As you can see that they know that the film is publicly released and they are actually enthusiastic about it"
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Even at this point, none of us have seen the completed film but did not doubt his words which he said: "the film is first and foremost an academic project that requires a high level of academic integrity and in the middle of the road."

 

¤³¤Î»þÅÀ¤Ç¡¢²æ¡¹¤Îï¤â¤¬´°À®¤·¤¿¥Õ¥£¥ë¥à¤ò¸«¤Æ¤¤¤Ê¤«¤Ã¤¿¤¬¡¢Èब¡Ö³Ø½ÑŪ¸¦µæ¤Ê¤Î¤Ç¸øÊ¿¤Ë°·¤¦¡×¤È¼çÄ¥¤·¤Æ¤¤¤¿¤Î¤Ç¡¢µ¿¤¦Êý¤¬¼ºÎé¤Ç¤¢¤ë»ö¤Ï¸À¤¦¤Þ¤Ç¤â¤Ê¤¤¡£¤½¤¦¸À¤¦¾ï¼±¤ò°­ÍѤ·¤¿¤Î¤¬¡¢¤³¤Î½Ðºê´´º¬¤Ç¤¢¤ë¡£¤³¤ì¤Ï¡¢´°Á´¤Ëº¾µ½»Õ¤Î¼ê¸ý¤Ç¤¢¤ë¡£

 

 

 

 

 


¡Ú¸µ¤·¤Ð¤­Ââ¤ÎÂâ°÷¤ÇÊÛ¸î»Î¤¬»²ÀïɽÌÀ¡Û

A former member of ”Violence Corp" attorney expressed his participation in the battle at free of charge

 

¤·¤Ð¤­Ââ¤ÎÊÛ¸î»Î¤Ç¤¢¤ë¿À¸¶¸µ¤¬Áᮡ¢Í½ÁÛÄ̤ê¤Ë¥¹¥×¡¼¥ó¤òÆͤùþ¤ó¤ÇÍ褿¤è¤¦¤À¡£
Á´ÌÌÀïÁè¤ÎÍÍÁê¤òÄ褷¤Æ¤­¤¿¤Ê¡£

 

 


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»úËë¡Ú¥Æ¥­¥µ¥¹¿ÆÉã¡Û °Ö°ÂÉص½â֥ɥ­¥å¥á¥ó¥¿¥ê¡¼¡Ö¼çÀï¾ì¡×Part1

 

»úËë¡Ú¥Æ¥­¥µ¥¹¿ÆÉã¡Û °Ö°ÂÉص½â֥ɥ­¥å¥á¥ó¥¿¥ê¡¼¡Ö¼çÀï¾ì¡×Part2

 

Comfort Women Battleground deception, part three

 

Comfort Women Battleground deception, part four

 

Main Battleground of Comfort Women paper bag


Comfort Women’s Mr. Dezaki where are you?

 

Comfort Women’s Mr. Dezaki responds

 

 

 

´ØÏ¢µ­»öÅù Æü·Ï¥¢¥á¥ê¥«¿Í´ÆÆĤ¬Ä©¤à°Ö°ÂÉØÌäÂê¡¢¤­¤Ã¤«¤±¤Ï¡Ö¥Í¥È¥¦¥è¡×¤«¤é¤ÎÈãȽ https://dot.asahi.com/aera/2019042400015.html

 

¡Ö¤À¤Þ¤µ¤ì¤¿¡×¤ÈÊݼéÇɤ¬¹³µÄ °Ö°ÂÉرDzè¡Ö¼çÀï¾ì¡×

https://this.kiji.is/506755779450520673

http://www.freezepage.com/1559254861PNPARSVELD

https://www.nishinippon.co.jp/item/o/514436/
https://www.saga-s.co.jp/articles/-/380910
https://www.tokyo-np.co.jp/s/article/2019053001002028.html

https://oita-press.co.jp/1002000000/2019/05/30/NP2019053001002027

https://www.kahoku.co.jp/naigainews/201905/2019053001002028.html

https://www.at-s.com/news/article/social/national/639941.html

https://www.sanyonews.jp/article/903715?rct=global_syakai_c

https://www.kyoto-np.co.jp/top/article/20190530000143

https://www.ehime-np.co.jp/article/ky201905300364100010

http://urx3.nu/xw5L

https://ryukyushimpo.jp/kyodo/entry-927562.html

http://news.livedoor.com/article/detail/16541618/
https://www.kochinews.co.jp/article/281144/

https://news.infoseek.co.jp/article/kyodo_kd-newspack-2019053001002028/

https://www.nara-np.co.jp/global/2019053001002028.html

https://eonet.jp/news/article/47news/506755779450520673.html

http://www.the-miyanichi.co.jp/news/National/2019053001002028.php

https://www.daily.co.jp/society/national/2019/05/30/0012379859.shtml

http://webun.jp/item/7568408

https://topics.smt.docomo.ne.jp/article/kyodo_nor/nation/kyodo_nor-2019053001002028

https://www.47news.jp/news/3618156.html

https://news.biglobe.ne.jp/domestic/0530/kyo_190530_6031216375.html

https://www.shinmai.co.jp/news/world/article.php?date=20190530&id=2019053001002028

 

½¾·³°Ö°ÂÉرDzè¡Ø¼çÀï¾ì¡Ù¤Î°­íå¤Ê¼ê¸ý

https://hanada-plus.jp/posts/1974

¡Ú¥Æ¥­¥µ¥¹¿ÆÉãÆüËÜ»ö̳¶É¡Û¡Ö¼çÀï¾ì¡×¤Ë´Ø¤¹¤ëµ­¼Ô²ñ¸«¤È¡Ö¤·¤Ð¤­ÂâÊÛ¸î»Î¡×¤Î»²ÀïɽÌÀ¡¡2019/05/31

  • 2019.05.31 Friday
  • 04:30

Press conference to demand stop publicizing toxic so-called documentary film "Shusenjo" related to the comfort women issue. 


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Joint statement to stop the film "Shusenjo"



We held a press conference at Japan Press Club in Tokyo on 30th of May 2019 to demand stop publicize the film "Shusenjo."
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At the beginning, Professor Fujioka read the joint statement then I and Yumiko Yamamoto followed to explain what the problem is and which parts are violating our agreement and Japanese law.
½é¤á¤Ë²æ¡¹£¸¿Í¤Î¤³¤Î±Ç²è¤Ë´Ø¤¹¤ëÌäÂêÅÀ¤òÆ£²¬¿®¾¡¶µ¼ø¤¬Æɤ߾夲¡¢»ä¡ÊÆ£ÌÚ½Ó°ì¡Ë¡¢»³ËÜÍ¥Èþ»Ò»á¤Î½çÈ֤ǡ¢¤³¤Î±Ç²è¤Î¤É¤³¤¬ÌäÂê¤Ç¡¢²¿¤¬°ãË¡¹Ô°Ù¤äÉÔË¡¹Ô°Ù¤ò¹½À®¤·¤Æ¤¤¤ë¤Î¤«¤Ë¤Ä¤¤¤ÆÏä·¤¿¡£

 

House of Representatives Mio Sugita has not signed the agreements we issued at the press conference because she, as a public servant, has no Portrait Rights protected.

¿ùÅÄ¿åÌ®µÄ°÷¤Ë´Ø¤·¤Æ¤Ï¡¢¤³¤Î¶¦Æ±À¼ÌÀ¤ÎÃæ¤Çëð¤Ã¤Æ¤¤¤ë¡Ö¾ÓÁü¸¢¡×¤¬¹ñ²ñµÄ°÷¤Ç¤¢¤ë¤È¤¤¤¦Î©¾ì¾å¡¢¼çÄ¥¤Ç¤­¤Ê¤¤¤Î¤Ç½ð̾¤Ï½ÐÍè¤Ê¤¤¤¬¡¢ÆâÍƤ˴ؤ·¤Æ¤Ï²æ¡¹¤È°Õ¸«¤òƱ¤¸¤Ë¤¹¤ë¡£Â¾¤Î7̾¤Ï¤³¤Î¶¦Æ±À¼ÌÀ¤Ë½ð̾¤·¤Æ¤¤¤ë¡£

 

I received a phone call reporting me that the person in charge at the distributor of this film called "ToFoo" was watching our press-conference. After or during the conference, Mr. Dezaki posted a short video clip to express his excuses or justifications.

¤µ¤Æ¡¢¤³¤Îµ­¼Ô²ñ¸«¤òÇÛµë²ñ¼Ò¤Î¡ÖÅìÉ÷¡×¤ÎôÅö¼Ô¤È½Ðºê»á¤¬¸«¤Æ¤¤¤¿¤È¤ÎÏ¢Íí¤¬Æþ¤Ã¤¿¡£
¤½¤Îľ¸å¤Ë¡¢½Ðºê´ÆÆĤ¬Ã»¤¤¤ÎÆ°²è¤ò¡Ö¼çÀï¾ì¡×¤ÎYouTube¥Á¥ã¥ó¥Í¥ë¤Èfacebook¤Î¡Ö¼çÀï¾ì¡×¤Î¥Ú¡¼¥¸¤ËÅê¹Æ¤·¤Æ¤¤¤¿¤Î¤Ç¡¢¤½¤ì¤Ë´Ø¤¹¤ëÈ¿ÏÀ¤ò°Ê²¼¤Ëµ­¤¹¡£
Red Letters are what Mr. Dezaki is talking in the short clip which he released during or after our press conference.
Black letters are part of my personal opinions.
ÀÖ¿§¤Îʸ»ú¤¬½Ðºê´ÆÆĤÎȯ¸À ¹õʸ»ú¤¬»ä¤Î°Õ¸«
After or during watching our press conference on 30th of May, talking about the film "Shusenjo," Mikine Dezaki posted a video on YouTube channel of "Shusenjo" to justify his outlaw activities. He cowardly disabled the comment section of his video. Why does he need to fear the opposition? If he is the one fearing opposition, he should not be involved in the issue.
.²æ¡¹¤¬5·î30Æü¤Ë¡Ö¼çÀï¾ì¡×¤Ë´Ø¤·¤Æ³«¤¤¤¿µ­¼Ô²ñ¸«¤ÎºÇÃ椫ľ¸å¤Ë¡¢½Ðºê´ÆÆĤϸÀ¤¤Ìõ¤Î¤¿¤á¤Î1ËܤÎÆ°²è¤ò¡Ö¼çÀï¾ì¤Î¥æ¡¼¥Á¥å¡¼¥Ö¥Á¥ã¥ó¥Í¥ë¡×¤Ë¥¢¥Ã¥×¤·¤Þ¤·¤¿¡£Èܶ±¤Ê¤³¤È¤Ë¤³¤ÎÆ°²è¤Î¥³¥á¥ó¥ÈÍó¤Ë¤Ï¥³¥á¥ó¥È¤Ç¤­¤Ê¤¤ÍͤÊÀßÄê¤Ë¤·¤Æ¤¤¤Þ¤¹¡£È¿ÏÀ¤µ¤ì¤ë¤Î¤¬Éݤ¤¤Î¤Ê¤é¡¢¤³¤ÎÌäÂê¤Ë´Ø¤ï¤ë¤Ù¤­¤Ç¤Ï¤Ê¤¤¡£
While he enjoys freedom of expression, he suppresses other people's freedom. This is how this coward always behaves.
Èà¤Ï¡¢¼«Ê¬¤Îɽ¸½¤Î¼«Í³¤òëð²Î¤·¤Ê¤¬¤é¡¢Â¾¿Í¤Î¼«Í³¤òǧ¤á¤Ê¤¤¤È¤¤¤¦Èܶ±¼Ô¤Î¤ä¤êÊý¤Ç¤¢¤ë¡£
Dezaki: "They said all of these things in the film of their volition"
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The issue is not whether the things we talked about in the film is from our volition or not but whether the talks are properly used along with the context or intentionally misused.
ÌäÂê¤Ï¡¢±ÇÁü¤ÎÃæ¤Î²æ¡¹¤Îȯ¸À¤¬¼«¤é¤Î°Õ»×¤Ç¤¢¤ë¤«¤É¤¦¤«¤Ç¤Ï¤Ê¤¤¡£¤·¤«¤·¡¢Á°¸å´Ø·¸¤ò̵»ë¤·¤Æ°Õ¿ÞŪ¤Ë¡ÖÀÚ¤ê¼è¤é¤ì¤Æ¤¤¤ë¡×¤³¤È¤òÌäÂê¤Î£±¤Ä¤Ë¤·¤Æ¤¤¤ë¤Î¤Ç¤¢¤ë¡£
Dezaki: "If the film is good enough, It had the possibility (of) being shown at the film festivals or publicly released"
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We have no problem that Mr. Dezaki entry the film festivals or publicize the film. However the issue is, he did not keep his words.
Also none of us have heard that the film is used for commercial purpose. If it is going to be used for commercial, none of us would agreed at the beginning. At least, myself, Mr. Kent Gilbert and Prof. Fujioka agreed with this opinion.
±Ç²èº×¤Ø¤Î½ÐÉʤò¤¹¤ë¤Î¤â¡¢°ìÈ̸ø³«¤ò¤¹¤ë¤Î¤âÌäÂê¤Ê¤¤¡£¤¿¤À¤·¡¢¤½¤ÎÁ°Äó¤È¤Ê¤Ã¤Æ¤¤¤ë¡Ö¹ç°Õ¡×¤òÈ¿¸Î¤Ë¤·¤Æ¤¤¤ë¤³¤È¤¬ÌäÂê¤Ê¤Î¤À¡£¤Þ¤¿¡¢¡Ö¾¦¶ÈÍøÍѤ¹¤ë¡×¤³¤È¤Ï¡¢°ì¸À¤âʹ¤¤¤Æ¤Ê¤¤¡£¤â¤·¡¢¾¦¶ÈÍøÍѤ¹¤ë¤Î¤Ç¤¢¤ì¤Ð¡¢Ã¯¤â¥¤¥ó¥¿¥Ó¥å¡¼¤ò¼õ¤±¤Æ¤¤¤Ê¤«¤Ã¤¿¤Ï¤º¤À¡£¾¯¤Ê¤¯¤È¤â¡¢¥È¥Ë¡¼»á¡¢¥±¥ó¥È»á¡¢Æ£²¬»á¡¢»ä¤Î£´¿Í¤ÇÏäò¤·¤¿¤È¤³¤í¡¢Á´°÷¤¬Æ±°Õ¸«¤Ç¤¢¤Ã¤¿¡£
Mr. Kent Gilbert and Ms. Yoshiko Sakurai are well-known celebrities in Japan, if the distributor of the film wants them to be a face of the film, or ask for the advertisement of a film, the contract fee would be tens of millions of Yen, possibly be over hundred million Yen if put together.
¤Þ¤¿¡¢¥±¥ó¥È»á¤äݯ°æ¤è¤·¤³»á¤Ï¡¢ÆüËܤǤâͭ̾¤Ê¥»¥ì¥Ö¥ê¥Æ¥£¤Ç¤¢¤ê¡¢¤³¤ÎÍͤÊÊý¡¹¤ò¡Ö¾¦¶ÈÍøÍѤ¹¤ë±Ç²è¡×¤ÎÀëÅÁ¤Ë¡Ö̵ÎÁ¡×¤Ç»È¤¨¤ë¤È¹Í¤¨¤ëÊý¤¬¾ï¼±¤ò°ï椷¤Æ¤¤¤ë¡£¤â¤·¡¢ÈࡦÈà½÷¤é¤Ë¾¤Î±Ç²è¤ÎÀëÅÁ¤ä¡¢¤½¤Î¤¿¤á¤Î²èÁü¤ò»È¤¦·ÀÌó¤ò¤¹¤ì¤Ð¡¢¿ôÉ´Ëü±ß¡Á¿ôÀéËü±ß¡¢2¿Í¹ç¤ï¤»¤ì¤Ð²¯¤Î·ÀÌóÎÁ¤Ë¤Ê¤ë²ÄǽÀ­¤â¤¢¤ëÌõ¤À¡£¤½¤ì¤Ï¡¢ñÙ¤·¤Æ¡Ö¥¿¥À¡×¤Ë¤·¤è¤¦¤È»î¤ß¤¿¤Î¤¬¤³¤Î½Ðºê´ÆÆĤǤ¢¤ë¡£¤³¤ì¤¬¡¢¤â¤¦°ì¤Ä¤ÎÌäÂê¤Ç¤¢¤ë¡£
No one from our group has heard that it would be for commercial use. "Show at the film festival" or "publicly released" does not mean it is commercial bases.
²æ¡¹Â¦¤Î½Ð±é¼Ô¤Îï¤â¡Ö¾¦¶ÈÍøÍѤ¹¤ë¡×¤È¤Ïʹ¤¤¤Æ¤¤¤Ê¤¤¡£¡Ö±Ç²èº×¡×¤ä¡Ö¸ø³«¡×¤È¤Ï¸À¤Ã¤Æ¤¤¤ë¤¬¡¢¡Ö¾¦¶È¥Ù¡¼¥¹¡×¤È¤Ïʹ¤¤¤Æ¤¤¤Ê¤¤¡£YouTube¤Ë¸ø³«¤¹¤ë¤Î¤â¡Ö¸ø³«¡×¤Ç¤¢¤ë¡£
Dezaki: "….and isn't out of ordinary for a graduate project or thesis to be published commercially as an academic journal or a book."
½Ðºê´ÆÆÄ¡§Âç³ØÀ¸±¡À¸¤Î¥×¥í¥¸¥§¥¯¥È¤äÏÀʸ¤¬³Ø½Ñ»¨»ï¤Ë·ÇºÜ¤µ¤ì¤¿¤ê½ñÀҤˤʤ뤳¤È·è¤·¤Æ°ÛÎã¤Î¤³¤È¤Ç¤Ï¤¢¤ê¤Þ¤»¤ó¡×←¡Ê½Ðºê´ÆÆĤÎÆ°²è¤ÎËÝÌõÄ̤ê¡Ë
Again Dezaki is shifting the core narratives to the unrelated issue, trying to escape from his responsibility as a fully grown man.
¤Þ¤¿¤â¡¢½Ðºê´ÆÆĤϵÄÏÀ¤ÎÃæ¿´¤ò°ï¤é¤·¡¢´Ø·¸Ìµ¤¤»ö¤òÆͤùþ¤ó¤Ç¡¢Âç¿Í¤È¤·¤Æ¤ÎÀÕǤ¤«¤éƨ¤ì¤è¤¦¤È¤·¤Æ¤¤¤ë¡£
Dezaki: ”If the film is good enough I may present it at the film festivals or public showings"
½Ðºê´ÆÆÄ¡§¡Ö½ÐÍ褬Îɤ±¤ì¤Ð¡¢¤â¤Ã¤È¿¤¯¤Î¿Í¤Ë¸«¤Æ¤â¤é¤¦¤¿¤á¡¢±Ç²èº×¤ä°ìÈ̸ø³«¤â¹Í¤¨¤Æ¤¤¤Þ¤¹¡×←¡Ê½Ðºê´ÆÆĤÎËÝÌõ¤½¤Î¤Þ¤Þ¡Ë
Once again, there is no word "commercial use" anywhere on any of the related documents.
¤Þ¤¿¤â¡¢¤É¤³¤Ë¤â¡Ö¾¦¶ÈÍøÍѤ¹¤ë¡×¤È¤Ï°ìÀÚ½ñ¤«¤ì¤Æ¤¤¤Ê¤¤¡£YoTube¤Ë¸ø³«¤¹¤ë¤Î¤â¡¢¥Ë¥³¥Ë¥³Æ°²è¤Ë¸ø³«¤¹¤ë¤Î¤â¡Ö¸ø³«¡×¤Ç¤¢¤ë¡£ÎÁ¶â¤ò¼è¤Ã¤Æ¡Ö¸ø³«¤¹¤ë¡×¤È¤Ï¡¢½ñ¤¤¤Æ¤¤¤Ê¤¤¡£¡Ö¿¤¯¤Î¿Í¤Ë¸«¤ÆÌ㤦¤¿¤á¡×¤Ç¤¢¤ì¤Ð¡¢ÌµÎÁ¤Ç¸ø³«¤¹¤ëÊý¤¬´ó¤ê¿¤¯¤Î¿Í¤Ë¸«¤Æ¤â¤é¤¨¤ë»ö¤ÏÌÀ¤é¤«¤Ç¤¢¤ë¡£´°Á´¤Ë½Ðºê´ÆÆĤÎëÌÊÛ¤¤¤¬¤¤¤Î²¿¤â¤Î¤Ç¤â¤Ê¤¤¡£
Dezaki: "Every person I interviewed signed a film release form that mentioned public release in its stipulations.
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Again and again, there is no word that the film will be used¡¡"for commercial purpose."
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Dezaki: "Prior to showing the film at the Busan International¡¡film festival in October of 2018, I sent every interviewee an email letting¡¡them know that the film would be premiering there"
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Dezaki promised us to show finished documentary before presenting it to the public, and if I think he mispresented me or took my words out of context, he mentioned that he would be willing to put a message at the end of the film expressing my dissatisfaction.
½Ðºê»á¤Ï¥Õ¥£¥ë¥à¤Î¸ø³«Á°¤Ë´°À®¤·¤¿¤â¤Î¤ò»ä¤Ë¸«¤»¤ë¤È¤ÎÌó«¤ò¤·¤Æ¤¤¤Þ¤·¤¿¡£¤½¤·¤Æ¡¢¤½¤ì¤¬»ä¤Î°Õ¿Þ¤È°ã¤¦»È¤ï¤ìÊý¤ò¤·¤Æ¤¤¤¿¾ì¹ç¤Ï¡¢¤½¤Î»ä¤¬¤½¤ì¤ËÂФ·¤ÆÉÔËþ¤Ç¤¢¤ë»ö¤ò¥Õ¥£¥ë¥à¤Î¥¯¥ì¥¸¥Ã¥È¤Ë´î¤ó¤ÇÄɲ乤ë¤È¤·¤Æ¤¤¤¿¡£
However, the finished documentary was not shown to any of us and all of sudden we received an email stating that the film would be publicized at the Busan film festival which obviously braking one of the condition stipulated in the "Agreement" but not "Film release form" which he mentioned in this selfish justification.
¤·¤«¤·¡¢¸ø³«Á°¤Ë¤Ï²æ¡¹¤Îï¤Ë¤â´°À®¤·¤¿¥Õ¥£¥ë¥à¤ò¸«¤»¤ë¤³¤È¤Ï¤Ê¤«¤Ã¤¿¡£¤½¤·¤Æ¡¢ÆÍÁ³¡¢¥á¡¼¥ë¤Ç³ø»³±Ç²èº×¤Ç¸ø³«¤¹¤ë¤È¤¤¤¦¥á¡¼¥ë¤¬Á÷¤é¤ì¤Æ¤­¤¿¤¬¡¢¤³¤ì¤ÏÌÀ³Î¤Ë¡Ö¹ç°Õ°ãÈ¿¡×¤Ç¤¢¤ë¡£¼«¸ÊÃ濴Ū¤Ê¸À¤¤Ìõ¤Ë²á¤®¤Ê¤¤¡£
Whatever excuse he makes, the issue is, he is nothing but a liar, he broke a promise.
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Dezaki¡§ "I got this nice email from Mr, Fujiki saying; Thank you for your update about your film and Congratulations"
½Ðºê´ÆÆÄ¡§ Æ£Ìڻᤫ¤éÂçÊÑ´ò¤·¤¤¥á¡¼¥ë¤ò¼õ¤±¼è¤ê¤Þ¤·¤¿¡£¡Ö±Ç²è¤Ë´Ø¤¹¤ëºÇ¿·¾ðÊó¤ò¤¢¤ê¤¬¤È¤¦¡£¤½¤·¤Æ¡¢¤ª¤á¤Ç¤È¤¦¡×¤È¤¤¤¦ÆâÍƤǤ¢¤ë¡£
This is a courtesy as an adult because a University student set an objective and archived it, it is quite normal to say "Congratulations" if the person is a civilized adult. So I sent an email to congratulate him for his achievement. However, even at this point, he did not show us the completed film. So I wrote ”Congratulations" without seeing his film just as a courtesy.
¤³¤ì¤Ï¡¢Ê¸²½ÅªÂç¿Í¤ÎÎéµ·¤È¤·¤ÆÂç³ØÀ¸¤¬ÌÜɸ¤òÀßÄꤷ¡¢¤½¤ì¤ò´°À®¤·¤¿¤Î¤Ç¤¢¤ë¤«¤é¡Ö¤ª¤á¤Ç¤È¤¦¡×¤È¸À¤¦¤Î¤ÏÅöÁ³¤Î¤³¤È¤Ç¤¢¤ë¡£¤³¤¦¸À¤¦Íýͳ¤Ç¡¢¤³¤Î»þÅÀ¤Ç¤â¡Ö¸ø³«Á°¤Ë¸«¤»¤ë¡×¤È¤¤¤¦Ìó«¤ò¼é¤Ã¤Æ¤¤¤Ê¤¤Ãʳ¬¤Ç¤Ï¤¢¤Ã¤¿¤¬¡¢¤½¤Î´°À®¤µ¤»¤¿¤³¤È¤Ë´Ø¤·¤Æ¤Î¡Ö¤ª¤á¤Ç¤È¤¦¡×¤Ç¤¢¤ë¡£
I spoke with Mr. Kent and Prof. Fujioka about this part of his excuse who also sent a similar email to Mr. Dezaki, all of them said the same reason why I congratulate him.
¥±¥ó¥È»á¡¢Æ£²¬¶µ¼ø¤È»ä¤Ï¤³¤ÎÈà¤Î¸À¤¤Ìõ¤Ë´Ø¤¹¤ë·ï¤ÇÏäò¤·¤¿¤¬¡¢ÈàÅù¤âƱÍͤδ°À®¤ËÂФ·¤Æ¡Ö¤ª¤á¤Ç¤È¤¦¡×¤È¤¤¤¦¥á¡¼¥ë¤Ï¡ÖÂç¿Í¤ÎÎéµ·¤È¤·¤ÆÁ÷¤Ã¤¿¡×¡ÖÅöÁ³¤Î¤³¤È¤Ç¤¢¤ë¡×¤È¤¤¤¦¸«²ò¤Ç¤¢¤Ã¤¿¡£¥±¥ó¥È»á¤Î¥á¡¼¥ë¤Ë´Ø¤·¤Æ¤Ï¾Ò²ð¤·¤Æ¤¤¤ë¤¬¡¢Æ£²¬¶µ¼ø¤«¤é¤Î¥á¡¼¥ë¤Ï¾Ò²ð¤·¤Æ¤¤¤Ê¤¤¤è¤¦¤Ç¤¢¤ë¡£¤Þ¤¿¤â¡¢¡Ö¸ø³«¡×¤Ï¡¢ÎÁ¶â¤ò¼è¤ë¤³¤È¤Ç¤Ï¤Ê¤¤¤³¤È¤òÉÕ¸À¤¹¤ë¡£
Dezaki¡§ "As you can see that they know that the film is publicly released and they are actually enthusiastic about it"
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Even at this point, none of us have seen the completed film but did not doubt his words which he said: "the film is first and foremost an academic project that requires a high level of academic integrity and in the middle of the road."
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